Note the difference in contour between these two examples, the first being very angular and the second being smooth and rolling.

These are performed by picking the string while lightly muting it with the fret hand. Using octave root notes is often an excellent way to do this, the low octave corresponding to the kick drum and the high octave hitting with the snare, typically on beats two and four, which are also known as the backbeats.

After the octave root, the fifth is the most harmonically agreeable note you can play. Many classic bass lines have been constructed using mostly roots, octaves and fifths as the framework.

This old adage could not ring truer for bass playing. Be sure to check out the video demonstrations for these musical examples on GuitarWorld. You can go from a dull thud to a sharp, funky punch simply by choosing where along the string you pick it and how aggressively you hit it.

Between that, your pickup selector if your bass has one and tone controls, you have a considerable range of tonal possibilities before the signal even hits the amp.

Not all bassists use their fingers to pluck the instrument. If playing with a pick works for you, go for it. The large surface area of the big triangle picks is well suited to the wide spacing of bass strings and will help you keep a grip on the pick.

Tortex or Delrin, depending on the manufacturer is also sturdier than celluloid and less likely to break, and the thick, unbendable gauge will allow you to get more volume and power out of those thick strings, with less effort.

Some record producers actually prefer having bass players use a pick because the attack is more even. The pocket depends on you, so learn how to be your own metronome.

Fills are the little pieces of ear candy that embellish a solid bass line and help propel a song. Listen to how other bass players set up a new section, and shamelessly jack anything that grabs your ear.

Playing fills that conclude one section of a song such as a verse and lead into the next such as the chorus is a great way to break monotony in a bass part and set yourself apart from whatever the guitarist is doing.

Are you playing in the right register octave? Perhaps that cool part you came up with sounds badass played down low but may be too heavy for the mood of the song.

Make sure your note-range choices are right for the situation. Occasionally playing the third or fifth of the underlying chord instead of its root note can radically change the whole feel of a chord progression, and when done tastefully it can add warmth or tension.

This device has been used for centuries by great classical composers like Bach and Beethoven and creates what are known as chord inversions. Master pop songwriters such as Elton John and Paul McCartney use inversions, via bass line substitutions, to build their chord progressions to a harmonic climax.

Realize that the ear reckons harmony from the ground up, so as a bass player you have the power to dictate how the chord is going to sound and fundamentally change its character.

FIGURE 6 is an example of a common rock chord progression for which the bass line takes a left turn in bars 2 and 3 to create chord inversions.

Listen to an aggressive groove. Check out how they evolve as you add notes from the chord and mode. You can also watch an aggressive grove. Minor is the most common chord choice in hard rock, but you may occasionally encounter major tonalities as well.

Start this groove with your index finger on the root. This bass groove includes notes from both the minor chord and the minor modes. You can really feel your fingers move when you play this groove.

Make sure you start with your index finger on the root.

how to play rock bass

It has a different tone, scale length, feel and musical role, and in many cases it requires a different conceptual and technical approach.

Guitarists who are new to playing bass will often double the guitar part one octave lower. As a bassist who later took up guitar, I have developed 20 general guidelines that I live by when I play the bass.

Apply them to the instrument, and hear your playing improve as they help you to think and play like a real bass guitarist. More often than not, solid bass playing requires that you exercise restraint and subtlety rather than showcase your technique and slick moves.

The term refers to a way of playing in which the bass line remains in perpetual motion as opposed to staying on or reiterating one note. The transition notes can be any combination of chord tones arpeggios , scale tones that relate to the chords, or chromatic passing tones.

In general, chord tones are the musically safest bet, as they sound harmonically consonant, while scale tones add a touch of light dissonance when heard against an underlying chord.

The more chromatic notes that are used, the more dissonant the line becomes, as these notes momentarily clash with the prevailing chord. Whether this is a good thing or not is up to your discretion and instincts.

Although the line is rhythmically animated, with staccato short, clipped swing eighth notes and a triplet fill at the end of each bar, it is fairly tame harmonically, as it uses mostly chord tones the root, fifth and dominant seventh with a brief chromatic run-up to the fifth.

By contrast, FIGURE 2 illustrates a jazz-style walking bass line played over these same two chords for which chromatic passing tones are liberally employed. Note the difference in contour between these two examples, the first being very angular and the second being smooth and rolling.

These are performed by picking the string while lightly muting it with the fret hand. Using octave root notes is often an excellent way to do this, the low octave corresponding to the kick drum and the high octave hitting with the snare, typically on beats two and four, which are also known as the backbeats.

After the octave root, the fifth is the most harmonically agreeable note you can play. Many classic bass lines have been constructed using mostly roots, octaves and fifths as the framework.

This old adage could not ring truer for bass playing. Be sure to check out the video demonstrations for these musical examples on GuitarWorld.

You can go from a dull thud to a sharp, funky punch simply by choosing where along the string you pick it and how aggressively you hit it. Between that, your pickup selector if your bass has one and tone controls, you have a considerable range of tonal possibilities before the signal even hits the amp.

Not all bassists use their fingers to pluck the instrument. If playing with a pick works for you, go for it. The large surface area of the big triangle picks is well suited to the wide spacing of bass strings and will help you keep a grip on the pick.

Tortex or Delrin, depending on the manufacturer is also sturdier than celluloid and less likely to break, and the thick, unbendable gauge will allow you to get more volume and power out of those thick strings, with less effort.

Some record producers actually prefer having bass players use a pick because the attack is more even. When you and your band members play unison riffs licks using the same notes in the same rhythm in hard rock, you want to get your sixteenth notes up to speed so you can keep up with the others.

Hard rock grooves often sound very aggressive. Listen to an aggressive groove. Check out how they evolve as you add notes from the chord and mode.

You can also watch an aggressive grove. Minor is the most common chord choice in hard rock, but you may occasionally encounter major tonalities as well. Start this groove with your index finger on the root.

This bass groove includes notes from both the minor chord and the minor modes.

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Claypool got players asking, What on earth is he doing? French Horn. Woodwind Exams. The supremely confident solo artist, high-profile sideman, and New York club owner is a master at connecting with audiences of every stripe. Essential Double Bass Drumming , p. With your thumb still extended up, practice turning your wrist several times, as though you were turning a doorknob.

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Product Format. Rhinegold Education. Percussion instruments. The bass line how to play rock bass very simple ti follows the rhythm how to play rock bass throughout the song. Your playing hand will maintain this position whenever you play slap bass. The mallet shaft bottom should be flush against the bottom part of the hand when playing, differing from other grips typical to percussion instruments.

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The choice between playing with a pick or using your fingers how to play rock bass always caused debate among how to play rock bass. And how can I do it, too? Big, Niacin, and Winery Dogs have enabled Sheehan to remain chart- how to play rock bass arena-relevant. My account. Undeniably, this is online metal play soldiers game most immortal bass line in rock history. Co-authors: For example, if you're playing a rhythm with four beats, try slapping notes with your right thumb on beats one and three, and damping those notes with the fingers of your left hand on beats two and four. Our first recommended rock bass line is Rainbow in the Dark by Dio. Later metal genres including death metal use double kick drumming extensively often with blast beat techniques, whilst focusing on precision, 'endurance', 'speed' and 'rapid footwork'.

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