His most well known job was with the Stan Kenton Orchestra, where he played from to as the featured trombone soloist. It was with Kenton that Rosolino gained recognition as a soloist without equal. He joined the Terry Gibbs Dream Band in and performed with that group off and on until He also performed in Donn Tremmer's House Band on the Steve Allen Show, where he was not only featured as a trombone soloist, but also as a comedian.

During most of his career Rosolino was based out of Los Angeles where he did quite a bit of session work for movies and television. Throughout his career Rosolino performed with many groups as a featured soloist, including Tutti's Trombones, The Trombones Inc.

Rosolino was not only known as a trombone soloist, but also as a singer and comedian. Rosolino's scat singing utilized the same energy and creative ideas as his trombone playing.

As a comedian, he was always performing. Trumpeter Bobby Shew recalls that Rosolino was a source of entertainment on long studio sessions. It always ended up in complete hilarity and 'good vibes' amongst everyone who was lucky enough to be around him.

My favorite "Frank" story took place in Oldenburg, Germany. The concert took place at a made over water pumping station. In any case after the concert had come to an end, Frank and I discovered a room upstairs filled with boxes and boxes of chocolate covered marshmallows.

War was declared! Us against them! It is an album I have the feeling I'll be coming back to again and again for Rosolino and Clark's hipply together presence. It is an album thoroughly rooted in the music as it was unravelling then--not cool, but hot, hard-boppishly aggressive in something of the way Miles was doing at the time, yet also lyrical.

It's a blowing date, a very together, well thought-out one. Frank sounds wonderful here. If you don't know his work, this is a great first stop.

Everybody else, you are going to dig it! The reissue apparently is available as a 12" LP as well as a CD. Posted by Grego Applegate Edwards at AM Labels: classic '50s blowing sessions , frank rosolino i play trombone gapplegate music review , jazz reissues of note , jazz trombonists , sonny clark No comments: Post a Comment.

Labels: classic '50s blowing sessions , frank rosolino i play trombone gapplegate music review , jazz reissues of note , jazz trombonists , sonny clark. No comments:. Post a Comment.

Newer Post Older Post Home. Subscribe to: Post Comments Atom. I wrote for Cadence for many years, a periodical covering jazz and improv music. My combined Blogspot blogs as listed in the links now cover well over 3, recordings in review.

It's been a labor of love. The music is chosen because I like it, for the most part, so you won't find a great deal of nastiness here.

I have no affiliations and gain nothing from liking what I do, so that makes me somewhat impartial. I do happen to like a set of certain musics done well, so it's not everything released that gets coverage on these blogs.

I have thirteen volumes of compositions available on amazon. Just type in "Grego Applegate Edwards" to find them. But one is under "Gregory Applegate Edwards.

It changed my life and gave me the ability to think and write better.

frank rosolino i play trombone

After his release he went on to play with Gene Krupa's Bebop-influenced big band from to , where he performed with them under the stage name Frankie Ross.

His most well known job was with the Stan Kenton Orchestra, where he played from to as the featured trombone soloist. It was with Kenton that Rosolino gained recognition as a soloist without equal.

He joined the Terry Gibbs Dream Band in and performed with that group off and on until He also performed in Donn Tremmer's House Band on the Steve Allen Show, where he was not only featured as a trombone soloist, but also as a comedian.

During most of his career Rosolino was based out of Los Angeles where he did quite a bit of session work for movies and television. Throughout his career Rosolino performed with many groups as a featured soloist, including Tutti's Trombones, The Trombones Inc.

Rosolino was not only known as a trombone soloist, but also as a singer and comedian. Rosolino's scat singing utilized the same energy and creative ideas as his trombone playing.

As a comedian, he was always performing. Trumpeter Bobby Shew recalls that Rosolino was a source of entertainment on long studio sessions.

It always ended up in complete hilarity and 'good vibes' amongst everyone who was lucky enough to be around him.

My favorite "Frank" story took place in Oldenburg, Germany. The concert took place at a made over water pumping station. In any case after the concert had come to an end, Frank and I discovered a room upstairs filled with boxes and boxes of chocolate covered marshmallows.

War was declared! He was surely at a peak when he entered the studios in to record an album for the then flourishing Bethlehem Records. I Play Trombone Bethlehem 26 has finally been reissued. I never saw it in the bins over the years so I assume it has been unavailable since its initial release.

Either way it is primo Rosolino playing with passion in a very conducive quartet setting. Rosolino alternates between muted and open horn and sounds absolutely terrific.

A huge element in the mix is the presence of Sonny Clark, a pianist then at a peak himself, spelling Frank with hugely expressive, beautiful bop soloing.

Stan Levy swings along nicely on drums and one Wilfred Middlebrooks sounds very capable on bass, though most of us have forgotten him rather thoroughly by now, alas. The band handles a few standards with commitment, does a nice version of Rollins' "Doxy" and gets into a couple of Rosolino blowing originals.

It is an album I have the feeling I'll be coming back to again and again for Rosolino and Clark's hipply together presence. It is an album thoroughly rooted in the music as it was unravelling then--not cool, but hot, hard-boppishly aggressive in something of the way Miles was doing at the time, yet also lyrical.

It's a blowing date, a very together, well thought-out one. Frank sounds wonderful here. If you don't know his work, this is a great first stop.

Everybody else, you are going to dig it! The reissue apparently is available as a 12" LP as well as a CD. Posted by Grego Applegate Edwards at AM Labels: classic '50s blowing sessions , frank rosolino i play trombone gapplegate music review , jazz reissues of note , jazz trombonists , sonny clark No comments: Post a Comment.

Labels: classic '50s blowing sessions , frank rosolino i play trombone gapplegate music review , jazz reissues of note , jazz trombonists , sonny clark.

No comments:. Post a Comment. Newer Post Older Post Home. Subscribe to: Post Comments Atom. I wrote for Cadence for many years, a periodical covering jazz and improv music. My combined Blogspot blogs as listed in the links now cover well over 3, recordings in review.

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In another unforgettable set, Clark Terry and Frank did several scat-singing duets. It also tells about "Junior's" and has a good chapter called, "The Myth. A service was organized or Frank's friends. Frank was both. I told her. The concert took place at a made over water pumping station. I couldn't face sitting through a service.

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He was even making money. Gradually a continue reading gathered. In retrospect we have lost one frank rosolino i play trombone the world's greatest trombone stylist at the very peak of his career, an extraordinary rosoljno talent and a premier virtuoso on frank rosolino i play trombone TB possesed with a facility that rosoilno frank rosolino i play trombone to improvise trombpne fluidly on the trombone as a saxophonist. Had he been the second one shot? His first major break came when he was offered the jazz chair with the great Stan Kenton Band in and he was one of the featured soloists with Kenton through late Very timidly, I introduced myself to the Eien family, and soon found myself caught up in conversation. That stopped me. With unexpected sang-froid, the waitress tossed the ball right back at him. It is not to say that similar lines did not exist in Frank's own solosthey did, but somehow it seems more breathtaking for a trombonist when heard as a unison line. A tall handsome man in his late fifties introduced himself.

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He lived in frank rosolino i play trombone nearby building. Roger Kellaway frank rosolino i play trombone something softly as he looked at Justin. Later there as a wake at Don Menza's see more in North Hollywood. Give me your hands," I said, and put them palm to palm horizontally. But the wonderfully expressive jazz trombonist Frank Rosolino is here because, in the early hours of November 26he did something so unexpected and unthinkable it shook the world, and most especially those who had known him closely.

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